Fabio Perletta and Asmus Tietchens’ hermetic micro-cosmos of Deflections
unfolds by exploring instability and physical decay of sound. Built upon
liminal forms and atonal passages, the six near-silent pieces of the work
traverse empty space by means of elementary sonic emissions and drifting
nano-structures. Among sound collisions and evanescent masses, the almost
immaterial yet corporeal nature of Deflections, embodies sound in its most
subliminal and contradictory form.
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