3/4HadBeenEliminated - The Religious Experience (lim 250)

3/4HadBeenEliminated - The Religious Experience (lim 250)
22,50 € * | LP

inkl. gesetzl. MwSt. zzgl. Versandkosten

  • 6203
colored vinyl LP, presented in a deluxe hand-made sugarcane fiber cover, with a delicately... mehr
Produktinformationen "3/4HadBeenEliminated - The Religious Experience (lim 250)"
colored vinyl LP, presented in a deluxe hand-made sugarcane fiber cover, with a delicately perfumed inner sleeve and silkscreened insert, and is limited to 225 copies. ( The companion CD "Theology" contains the source recordings used for the LP, and is limited to 450 copies.

The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material comprising "Theology". Thus, the two works are independent, yet relate to each other as mother and daughter. ) 3/4HadBeenEliminated was founded in 2002 in Bologna, Italy as a trio, with Stefano Pilia, Claudio Rocchetti and Valerio Tricoli. The group straddles the line between live improvisation and studio experimentation, blending and shaping raw sounds into living pieces, then gently dissecting the delicately structured songs into disruptive sonic excursions more evocative of moving shadows and swirling leaves than recognizable tunes. Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, ?Improvisation is a way to experiment without thinking. When our improvisations ?work?, the music just happens on its own. It reveals itself as if guided by its own logic, its own desire. In fact we don?t even feel like we are actually playing the music. It?s more like a stream that moves and changes autonomously. With composition (editing, overdubs, etc. etc.) we then remodel this stream, trying to make it more complex, ?forever lasting, forever changing?, in the sense that every hearing will reveal a new perspective of the music. As a live band, we improvise 100%, and it's really risky, but when it ?happens?, it?s the greatest satisfaction.?
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